I thought about posting it up anyway, but those airbreaks are really unlistenable. I didn’t post the whole show for this one because my airbreaks were horribly over-modulated in the recording I have of the rest of the show. Ciph used to call me Lester “Sir” Pace back in the day, too. Btw, my name has never been Lester, although I’ve been letting Brotha K get away with calling me that for as long as I’ve known him. They’re talking about Lester “Sir" Pace, one of Houston’s most famous DJs and radio hosts. During the interview, Jef and Mello refer to a “ Lester” a few times. It still saddens me a lot that he’s no longer with us. Of all of the artists I met during my years doing these shows, he was one of the nicest, friendliest and most humble. Sadly, Big Mello died in a car accident on Jbefore the release of his fourth album, Done Deal. I really dig how he and Jef were tripping over each other while they talked about those young days. It’s an interesting and rare slice of Houston Hip-Hop history that I’m proud to say we got on tape. Style (R.I.P), Terry T aka King Tee (yeah, that King Tee), Lester “Sir” Pace, Fat Pat (R.I.P.), Big Pokey, Lil Keke, the Botany Boys, Southside Playaz, Stacy Porter, Jazzy Red, Fliponya, Fondren Great Skates, the Guidry Boys and more. He dropped a lot of names from Houston’s storied past in the conversation, including those of such legends as Wicked Cricket (R.I.P.), Prince Ezzy E aka O.G. Mello talked about his early days at Kidz Jamm, a long-running show on Texas Southern University’s KTSU radio station that is regarded as a Houston institution. But what I really love about this interview is all the old-school Houston rap talk. Mello talked a bit about why he left Rap-A-Lot and what his future plans were with his new label. He had just released his third album, Southside Story, on N-Terrogation Records, with the lead single “ Sucka Free,” an infectious Southern interpolation of the Rolling Stones classic “ Miss You,” that was getting a lot of run at Dolla Holla at the time.Īs I was still transitioning from my backpacker phase in those days and not deeply versed in the history of Houston’s more traditional Hip-Hop scene, I asked my good friend Jef Cashless (before he took the name Cashless, although he was definitely cashless then, too) to hold down interviewing duties. So instead of a live interview, we recorded one at the station that afternoon and played the recording on the air the following week. He got there as we were already packing up and preparing to head out. Mello was originally scheduled to do a live, on-air interview the week before, but couldn’t make it to the station in time before the show ended. A proud product of the Hiram Clarke neighborhood he loved to rep, Mello had a booming voice, an out-sized personality and endless charisma that endeared him to a lot of people. Mello’s early twelve inches on Rap-A-Lot feature some of the first official appearances by DJ Screw (R.I.P.) on wax (someone please correct me if you know better). Here’s a short little treat from 1996, when Houston legend Big Mello( R.I.P.) stopped by the KO.OP Radio studios in downtown Austin and gave the Dolla Holla Show an interview talking about Houston rap history and his then-latest release Southside Story.įor those who don’t know, Big Mello was a major player in the early ‘90s Houston Hip-Hop scene through his much-loved early releases on Rap-A-Lot Records, Bone Hard Zaggin and Wegonefunkwichamind, and as a member of Houston’s legendary Screwed Up Click.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |